SF “Avatar”, i ratni film “Hurt Locker” imali su po devet nominacija. “Hurt Locker” na kraju je osvojio šest kipića. Osim onih najvaĹľnijih, za najbolji film i najbolju reĹľiju, “Hurt Locker” je nagraÄ‘en i Oscarima za najbolji originalni scenarij, najbolje zvuÄŤne efekte, te najbolju montaĹľu i najbolju zvuÄŤnu montaĹľu.
“Avatar” se morao zadovoljiti mrvicama: osvojio je Oscara u tri tehniÄŤke kategorije. NagraÄ‘en je za najbolju scenografiju, najbolju kameru i, predvidljivo, najbolje vizalne efekte.
Tako je film snimljen za samo 15 milijuna dolara, rasturio je svjetski megahit “Avatar” koji je s preko dvije milijarde dolara zasjeo na ÄŤelo globalne ljestvice filmova s najvišom zaradom u povijesti.
Dodjelu Oscara 2010 zajedniÄŤki su vodili Steve Martin i Alec Baldwin.
NOMINACIJE I POBJEDNICI PO KATEGORIJAMA – 82. DODJELA OSCARA
Oscar za najboljeg glumca u glavnoj ulozi
- Jeff Bridges u “Crazy Heart” (Fox Searchlight) – Oscar
- George Clooney u “Up in the Air” (Paramount u asocijaciji sa Cold Spring Pictures i DW Studios)
- Colin Firth u “A Single Man” (The Weinstein Company)
- Morgan Freeman u “Invictus” (Warner Bros.)
- Jeremy Renner u “The Hurt Locker” (Summit Entertainment)
Oscar za najboljeg glumca u sporednoj ulozi
- Matt Damon u “Invictus” (Warner Bros.)
- Woody Harrelson u “The Messenger” (Oscilloscope Laboratories)
- Christopher Plummer u “The Last Station” (Sony Pictures Classics)
- Stanley Tucci u “The Lovely Bones” (DreamWorks in association with Film4, Distributed by Paramount)
- Christoph Waltz u “Inglourious Basterds” (The Weinstein Company) – Oscar
Oscar za najbolju glumicu u glavnoj ulozi
- Sandra Bullock u “The Blind Side” (Warner Bros.) – Oscar
- Helen Mirren u “The Last Station” (Sony Pictures Classics)
- Carey Mulligan u “An Education” (Sony Pictures Classics)
- Gabourey Sidibe u “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
- Meryl Streep u “Julie & Julia” (Sony Pictures Releasing)
Oscar za najbolju glumicu u sporednoj ulozi
- PenĂ©lope Cruz u “Nine” (The Weinstein Company)
- Vera Farmiga u “Up in the Air” (Paramount u asocijaciji sa Cold Spring Pictures i DW Studios)
- Maggie Gyllenhaal u “Crazy Heart” (Fox Searchlight)
- Anna Kendrick u “Up in the Air” (Paramount u asocijaciji sa Cold Spring Pictures i DW Studios)
- Mo’Nique u “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) – Oscar
Oscar za najbolji dugometraĹľni animirani film
- “Coraline” (Focus Features) – Henry Selick
- “Fantastic Mr. Fox” (20th Century Fox) – Wes Anderson
- “The Princess and the Frog” (Walt Disney) – John Musker and Ron Clements
- “The Secret of Kells” (GKIDS) – Tomm Moore
- “Up” (Walt Disney) – Pete Docter – Oscar
Oscar za umjetničko postignuće
- “Avatar” (20th Century Fox)
Art Direction: Rick Carter and Robert Stromberg
Set Decoration: Kim Sinclair – Oscar - “The Imaginarium of Doctor Parnassus” (Sony Pictures Classics)
Art Direction: Dave Warren and Anastasia Masaro
Set Decoration: Caroline Smith - “Nine” (The Weinstein Company)
Art Direction: John Myhre
Set Decoration: Gordon Sim - “Sherlock Holmes” (Warner Bros.)
Art Direction: Sarah Greenwood
Set Decoration: Katie Spencer - “The Young Victoria” (Apparition)
Art Direction: Patrice Vermette
Set Decoration: Maggie Gray
Oscar za postignuće u kinematografiji
- “Avatar” (20th Century Fox) – Mauro Fiore – Oscar
- “Harry Potter and the Half-Blood Prince” (Warner Bros.) – Bruno Delbonnel
- “The Hurt Locker” (Summit Entertainment) – Barry Ackroyd
- “Inglourious Basterds” (The Weinstein Company) – Robert Richardson
- “The White Ribbon” (Sony Pictures Classics) – Christian Berger
Oscar za najbolju kostimografiju
- “Bright Star” (Apparition) – Janet Patterson
- “Coco before Chanel” (Sony Pictures Classics) – Catherine Leterrier
- “The Imaginarium of Doctor Parnassus” (Sony Pictures Classics) – Monique Prudhomme
- “Nine” (The Weinstein Company) – Colleen Atwood
- “The Young Victoria” (Apparition) – Sandy Powell – Oscar
Oscar za najboljeg redatelja
- “Avatar” (20th Century Fox) – James Cameron
- “The Hurt Locker” (Summit Entertainment) – Kathryn Bigelow – Oscar
- “Inglourious Basterds” (The Weinstein Company) – Quentin Tarantino
- “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) – Lee Daniels
- “Up in the Air” (Paramount u asocijaciji sa Cold Spring Pictures i DW Studios) – Jason Reitman
Oscar za najbolji dokumentarni dugometraĹľni film
- “Burma VJ” (Oscilloscope Laboratories)
A Magic Hour Films Production – Anders Ă?stergaard i Lise Lense-Møller - “The Cove” (Roadside Attractions)
An Oceanic Preservation Society Production – Louie Psihoyos and Fisher Stevens – Oscar - “Food, Inc.” (Magnolia Pictures)
A Robert Kenner Films Production – Robert Kenner i Elise Pearlstein - “The Most Dangerous Man in America: Daniel Ellsberg i Pentagon Papers”
A Kovno Communications Production – Judith Ehrlich i Rick Goldsmith - “Which Way Home”
A Mr. Mudd Production – Rebecca Cammisa
Oscar za najbolji dokumentarni kratki film
- “China’s Unnatural Disaster: The Tears of Sichuan Province”
A Downtown Community Television Center Production – Jon Alpert i Matthew O’Neill - “The Last Campaign of Governor Booth Gardner”
A Just Media Production – Daniel Junge and Henry Ansbacher - “The Last Truck: Closing of a GM Plant”
A Community Media Production – Steven Bognar i Julia Reichert - “Music by Prudence”
An iThemba Production – Roger Ross Williams i Elinor Burkett – Oscar - “Rabbit Ă la Berlin” (Deckert Distribution)
An MS Films Production – Bartek Konopka i Anna Wydra
Oscar za najbolju montaĹľu
- “Avatar” (20th Century Fox) – Stephen Rivkin, John Refoua i James Cameron
- “District 9” (Sony Pictures Releasing) – Julian Clarke
- “The Hurt Locker” (Summit Entertainment) – Bob Murawski and Chris Innis – Oscar
- “Inglourious Basterds” (The Weinstein Company) – Sally Menke
- “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) – Joe Klotz
Oscar za najbolji film na stranom jeziku
- “Ajami”(Kino International)
An Inosan Production – Izrael - “El Secreto de Sus Ojos” (Sony Pictures Classics)
A Haddock Films Production – Argentina – Oscar - “The Milk of Sorrow”
A Wanda VisiĂłn/Oberon CinematogrĂ fica/Vela Production – Peru - “Un Prophète” (Sony Pictures Classics)
A Why Not/Page 114/Chic Films Production – Francuska - “The White Ribbon” (Sony Pictures Classics)
An X Filme Creative Pool/Wega Film/Les Films du Losange/Lucky Red Production – NjemaÄŤka
Oscar za najbolju šminku
- “Il Divo” (MPI Media Group through Music Box) – Aldo Signoretti i Vittorio Sodano
- “Star Trek” (Paramount and Spyglass Entertainment) – Barney Burman, Mindy Hall i Joel Harlow – Oscar
- “The Young Victoria” (Apparition) – Jon Henry Gordon i Jenny Shircore
Oscar za najbolju originalnu glazbu
- “Avatar” (20th Century Fox) – James Horner
- “Fantastic Mr. Fox” (20th Century Fox) – Alexandre Desplat
- “The Hurt Locker” (Summit Entertainment) – Marco Beltrami i Buck Sanders
- “Sherlock Holmes” (Warner Bros.) – Hans Zimmer
- “Up” (Walt Disney) – Michael Giacchino – Oscar
Oscar za najbolju originalnu pjesmu
- “Almost There” iz “The Princess and the Frog” (Walt Disney) – Glazba i tekst Randy Newman
- “Down in New Orleans” iz “The Princess and the Frog” (Walt Disney) – Glazba i tekst Randy Newman
- “Loin de Paname” iz “Paris 36” (Sony Pictures Classics) – Glazba Reinhardt Wagner
Tekst Frank Thomas - “Take It All” iz “Nine” (The Weinstein Company) – Glazba i tekst Maury Yeston
- “The Weary Kind (Theme from Crazy Heart)” iz “Crazy Heart” (Fox Searchlight) – Glazba i tekst Ryan Bingham i T Bone Burnett – Oscar
Oscar za najbolji film
- “Avatar” (20th Century Fox)
A Lightstorm Entertainment Production – James Cameron i Jon Landau, producenti - “The Blind Side” (Warner Bros.)
An Alcon Entertainment Production – kandidate treba utvrditi - “District 9” (Sony Pictures Releasing)
A Block/Hanson Production – Peter Jackson i Carolynne Cunningham, producenti - “An Education” (Sony Pictures Classics)
A Finola Dwyer/Wildgaze Films Production – Finola Dwyer i Amanda Posey, producenti - “The Hurt Locker” (Summit Entertainment)
A Voltage Pictures Production – Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro – Oscar - “Inglourious Basterds” (The Weinstein Company)
A Weinstein Company/Universal Pictures/A Band Apart/Zehnte Babelsberg Production – Lawrence Bender, producenti - “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate)
A Lee Daniels Entertainment/Smokewood Entertainment Production – Lee Daniels, Sarah Siegel-Magness i Gary Magness, producenti - “A Serious Man” (Focus Features)
A Working Title Films Production – Joel Coen i Ethan Coen, producenti - “Up” (Walt Disney)
A Pixar Production – Jonas Rivera, producent - “Up in the Air” (Paramount u asocijaciji s Cold Spring Pictures i DW Studios)
A Montecito Picture Company Production – Daniel Dubiecki, Ivan Reitman i Jason Reitman, producenti
Oscar za najbolji kratki animirani film
- “French Roast”
A Pumpkin Factory/Bibo Films Production – Fabrice O. Joubert - “Granny O’Grimm’s Sleeping Beauty” (Brown Bag Films)
A Brown Bag Films Production – Nicky Phelan i Darragh O’Connell - “The Lady and the Reaper (La Dama y la Muerte)”
A Kandor Graphics and Green Moon Production – Javier Recio Gracia - “Logorama” (Autour de Minuit)
An Autour de Minuit Production – Nicolas Schmerkin – Oscar - “A Matter of Loaf and Death” (Aardman Animations)
An Aardman Animations Production – Nick Park
Oskar za najbolji kratki inovativni film
- “The Door” (Network Ireland Television)
An Octagon Films Production – Juanita Wilson i James Flynn - “Instead of Abracadabra” (The Swedish Film Institute)
A Directörn & Fabrikörn Production – Patrik Eklund and Mathias Fjellström - “Kavi”
A Gregg Helvey Production – Gregg Helvey - “Miracle Fish” (Premium Films)
A Druid Films Production – Luke Doolan i Drew Bailey - “The New Tenants”
A Park Pictures and M & M Production – Joachim Back i Tivi Magnusson – Oscar
Oscar za najbolji zvuk
- “Avatar” (20th Century Fox) – Christopher Boyes and Gwendolyn Yates Whittle
- “The Hurt Locker” (Summit Entertainment) – Paul N.J. Ottosson – Oscar
- “Inglourious Basterds” (The Weinstein Company) – Wylie Stateman
- “Star Trek” (Paramount and Spyglass Entertainment) – Mark Stoeckinger and Alan Rankin
- “Up” (Walt Disney) – Michael Silvers and Tom Myers
Oskar za najbolje zvuÄŤne efekte
- “Avatar” (20th Century Fox) – Christopher Boyes, Gary Summers, Andy Nelson i Tony Johnson
- “The Hurt Locker” (Summit Entertainment) – Paul N.J. Ottosson and Ray Beckett – Oscar
- “Inglourious Basterds” (The Weinstein Company) – Michael Minkler, Tony Lamberti i Mark Ulano
- “Star Trek” (Paramount and Spyglass Entertainment) – Anna Behlmer, Andy Nelson i Peter J. Devlin
- “Transformers: Revenge of the Fallen” (DreamWorks i Paramount u asocijaciji sa Hasbro, distribucija Paramount) – Greg P. Russell, Gary Summers i Geoffrey Patterson
Oscar za najbolje vizualne efekte
- “Avatar” (20th Century Fox) – Joe Letteri, Stephen Rosenbaum, Richard Baneham i Andrew R. Jones – Oscar
- “District 9” (Sony Pictures Releasing) – Dan Kaufman, Peter Muyzers, Robert Habros i Matt Aitken
- “Star Trek” (Paramount i Spyglass Entertainment) – Roger Guyett, Russell Earl, Paul Kavanagh i Burt Dalton
Oscar za najbolji adaptirani scenarij
- “District 9” (Sony Pictures Releasing) – napisali Neill Blomkamp i Terri Tatchell
- “An Education” (Sony Pictures Classics) – scenarij Nick Hornby
- “In the Loop” (IFC Films) – scenarij Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
- “Precious: Based on the Novel ‘Push’ by Sapphire” (Lionsgate) – scenarij Geoffrey Fletcher – Oscar
- “Up in the Air” (Paramount in association with Cold Spring Pictures and DW Studios) – scenarij Jason Reitman i Sheldon Turner
Oscar za najbolji originalni scenarij
- “The Hurt Locker” (Summit Entertainment) – napisao Mark Boal – Oscar
- “Inglourious Basterds” (The Weinstein Company) – napisao Quentin Tarantino
- “The Messenger” (Oscilloscope Laboratories) – napisali Alessandro Camon & Oren Moverman
- “A Serious Man” (Focus Features) – napisali Joel Coen & Ethan Coen
- “Up” (Walt Disney) – scenarij Bob Peterson, Pete Docter
PriÄŤa Pete Docter, Bob Peterson, Tom McCarthy
I need to give this article a five star rating. This is attention-grabbing and worthwhile written content you just do not see in most articles nowadays.